The Magic of Collaboration

I didn’t plan to watch Peter Jackson’s documentary The Beatles: Get Back but I couldn’t resist. Disney Plus offered a week of free viewing and as one who grew up with the Beatles, I put aside my feeling that we shouldn’t reanalyze magic.

Cobbled out of old footage moldering on steel reels in the basement of Twickenham Studios, the star of Get Back is collaboration of the creative spirit. Four became as one, but only after hard work, sweat, a whole lot of smoking and drinking and Harrison walking out at one point and saying he quit. After conversations, stroking ruffled egos, more smoking and drinking, the music emerged from the rooftop. In January, 1969, twenty-one days of studio sessions culminated in the final live performance of the Beatles on the rooftop of Apple Headquarters on Savile Row. The interplay between Lennon and McCartney and their familiarity with the other’s creative process, along with their deep respect for each other moved me. While each had diverged into distinct styles by then, they appreciated the other, Lennon nodding to McCartney’s “The Long and Winding Road” and McCartney tapping his foot to Lennon’s “Dig a Pony” as they worked on the Let It Be album. While George Harrison kept trying to stake his claim to artistic recognition with his own songwriting, he found himself drowned out by the unique Lennon and McCartney team, although his guitar riffs in “Get Back” and “Don’t Let Me Down” have become iconic. At one session we hear him in the background strumming the chords of a new melody he’s playing around with; that song became “Something. “

To hear a song like “Get Back” emerge, one painstaking chord and lyric at a time, offered a new appreciation for my idols. I often thought the music flowed from the Beatles like honey from a tree. Instead, the documentary shed light on the grueling work of creating art. It’s often been said that McCartney must dream songs and lyrics in his sleep because he’s so prolific, but even he didn’t have the words “JoJo left his home in Tucson Arizona” for the first of many, many tries. Reflection, trial and error, playing around with nonsense words and chords, there’s a lesson there to let the work guide you.

I thought about my own work and the collaboration I’ve experienced with other writers. I always felt each of us brought our own voice to a project—thinking about our anthologies Slants of Light and The Life Unexpected. The end result was only as good as the respect and give and take that went into it, and the changes one writer proposed to a story that another writer might not have thought, even though it was her work.

Since we restarted the Women’s Writing Circle, I’ve experienced the collaborative spirit of goodwill. Last meeting, I read a piece and a writer said to me, how about putting this sentence at the beginning of the description, instead of the end? She was right. It made a better flow. Collaborative author teams abound from writers and ghostwriters to screen writers and comedy teams. I hired two developmental editors and asked a friend to beta read my current manuscript. Collaboration amounts to more than polishing and revision; it’s the fuel to keep going, the pat on the back, the words, ‘job well done’, or have you thought of trying this? Every time I think I know what I’m doing, collaboration shows a better way. A beat with no melody, a melody with no beat. You can’t do it alone. That’s the lesson of The Beatles: Get Back.

Published by Susan G. Weidener

Join me as I share reflections, always with an eye toward the challenges and struggles we women encounter and embrace in both creative and personal ways. My memoir, Again in a Heartbeat, was selected as a 2011 editor’s pick by Story Circle Network. Its sequel Morning at Wellington Square has also achieved critical acclaim. A Portrait of Love and Honor, a novel based on a true story, is centered around a story of two people, Ava Stuart and Jay Scioli, who are destined to meet and Jay's commitment to honor following his years at West Point. My new novel And the Memory Returns continues the story of Ava Stuart who begins asking herself those questions so many women face as they age. What had it all meant? Where does she go from here? In 1991, I joined the staff of The Philadelphia Inquirer and worked as a reporter covering news and writing feature stories until 2007. A native of the Philadelphia suburbs, I attended the University of Pennsylvania. In 2010, I started the Women's Writing Circle, a critique and support group for writers in suburban Philadelphia, which meets the second Saturday of the month at the Chester Springs Library. I live in Chester Springs, Pennsylvania with my Yellow Lab, Lily.

3 thoughts on “The Magic of Collaboration

  1. Susan, I also watched this documentary! How lovely readidng your commentary and observations. I always enjoy your newsletter. I’m about to publish my hardback and paperback book. I’m hoping to upload on my birthday, 12/08.


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